One of these times I’m going to video myself trying to make these brackets. It is stressful, people. You have to look at who nominated what, and decide which nominations to leave out, and watch match ups, both for the actual artists but also for the people who nominated…WHEW! It is DIFFICULT!
But it’s done. We’re off and running. Voting for the first round is open, and the deadline is Tuesday at 9 pm PST.
I’m claiming credit for Mary J.’s nomination, as I found it before Bylsma. It’s. Awesome. Robin Mohr nominated TobyMac’s recent release.
David Sherwood delivered a great brass version when asked for one by Robin Mohr, and Bethany Bylsma nominated Mariah and all her high register showboating. (GO AHEAD AND YELL I DON’T CARE.)
Martha Wood offered up Over the Rhine, a cello instrumental gem. They face off against a traditional choir from Regency College, nominated by Jenn Perez.
Emmylou Harris brings a very creative and vocally compelling version, nominated by Bylsma. Robin Mohr offered a nice version from Lady Antebellum, which I actually enjoyed (this is not easy to do when I listen to country).
Rachelle Staley and Jenn Perez nominated Pentatonix. I already put in a vote for them with Steve Sherwood’s name on it. Willow Givens nominated a classical version from Semino Rossi.
Bethany Bylsma and I both nominate Whitney. Wow. And she faces Vince Gill, nominated by Davida Brown Ankeny. This is in a way to support Lisby Rogers, since Vince is Amy’s husband…
Sarah McLachlan was nominated by Martha Wood, Jenn Perez, and Bethany Bylsma. She faces Ella Fitzgerald, fresh off her “Midnight Clear” win, nominated by David Sherwood.
Davida Ankeny Brown, Martha Wood, and Carla Barnhill all nominated this fantastic Leslie Odom version, with kids from Public School 22. And I’m excited to have my first nomination from one of my new co-workers, Rena Koster. She grew up listening to Andy Williams and nominated this.